The Shure SM58 Special Black Edition, a classic and legendary microphone, is now available in a sophisticated black-tie version. Renowned for its reliability and favored by live sound engineers, houses of worship, and vocalists worldwide, this ...
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The Shure SM58 Special Black Edition, a classic and legendary microphone, is now available in a sophisticated black-tie version. Renowned for its reliability and favored by live sound engineers, houses of worship, and vocalists worldwide, this limited-edition model maintains the same exceptional sound quality as the original. It features a sleek black body, grille, and a distinctive white Shure logo. Designed for durability and consistent performance, it includes features such as internal shock absorption, a built-in pop filter, and a capsule that minimizes stage noise. The SM58 continues to uphold its esteemed reputation across grand stages, home studios, and various other settings
A pneumatic shockmount system in the SM58 absorbs vibrations to keep your sound clean and free of handling noise. This lets presenters and singers confidently hold the mic while speaking and performing, knowing that their voice is coming through prominently.
Built into the SM58 is a pop filter, which helps control wind and breath noise without requiring an external pop screen. Of course, external windscreens are available should you choose to accessorize your SM58.
With a midrange bump and a natural bass roll-off, the SM58 delivers a tone that's tailored for vocal clarity. Bring the mic up close for a full, warm, and bass-rich presence, or pull it back to get a more natural sound with reduced low frequencies and minimal "s" sounds. Point the SM58 toward your source and away from unwanted sound; its cardioid polar pattern rejects much of what's behind it, significantly lowering the amount of stage bleed, monitor mix, or background noise that gets picked up by the mic.
Enamel-coated metal construction and a steel-mesh grille make the SM58 highly resistant to wear, abuse, and the challenging conditions of live events.
| Microphone | |
|---|---|
| Primary Applications: | Live Sound, Studio Recording |
| Microphone Type: | Handheld / Stand/Boom Mount |
| Intended Sound Sources: | Vocals, Speech |
| Sound Field: | Mono |
| Element Type: | Dynamic |
| Polar Pattern: | Cardioid |
| Orientation: | End Address |
| Pad: | No |
| High-Pass Filter: | No |
| Gain Adjustment: | No |
| On-Board Controls: | No |
| Performance | |
|---|---|
| Frequency Range: | 50 Hz to 15 kHz |
| Off-Axis Rejection: | 2 dB at 60° | 10 dB at 120° | 20 dB at 180° |
| Impedance: | 300 Ohms |
| Sensitivity: | -56 dBV/Pa at 1 kHz |
| Physical | |
|---|---|
| Color: | Black |
| Mounting Thread Size: | 5/8"-27 Female (3/8"-16 Female with Included Adapter) |
| Construction Material: | Metal |
| Dimensions: | 2 x L: 6.4" / 51 x L: 162 mm |
| Weight: | 0.72 lb / 327 g |
| Connectivity | |
|---|---|
| Analog Output: | 1x XLR 3-Pin Male (on Mic) |
| Packaging Info | |
|---|---|
| Package Weight: | 1.325 lb |
| Box Dimensions (LxWxH): | 10 x 5.4 x 3.4" |